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After rescue, Gaza's only grand piano strikes new chord

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Published on  11-26-2018 00:00
Last modified: 11-26-2018 00:00
After rescue, Gaza's only grand piano strikes new chord

Japanese pianist Kaoru Imahigashi plays the piano in Gaza City

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The only grand piano in the Gaza Strip was played in public for the first time in a decade on Sunday , following a complicated international restoration effort to fix the instrument after it was nearly destroyed in an Israeli airstrike.

Some 300 fans attended the performance in Gaza City, staring in awed silence as Japanese and local artists performed for them. For many, it was the first time they had ever heard a piano played live.

"Playing this piano is feeling like playing history," said Japanese pianist Kaoru Imahigashi. "It's amazing. I felt the prayer of peace for many people."

The piano's story goes back years, in many ways mirroring the story of Gaza.

The Japanese government donated the piano 20 years ago, following the interim peace accords between Israel and the Palestinians, when Gaza was envisioned as becoming the Singapore of the Middle East.

Gazan Culture Ministry official Fayez Sersawi said he was responsible for receiving the piano, which was placed at a large theater in the newly built al-Nawras resort in northern Gaza. He said music festivals were a regular activity before the beginning of the Second Intifada in 2000.

In 2007, after Hamas took control of Gaza by force, the resort closed the theater and the swimming pool and scaled down most activities. Under Hamas rule, many forms of public entertainment, including bars, movie theaters and concert halls, have been shuttered.

The ensuing Israeli-Egyptian blockade on Gaza, aimed at weakening Hamas, and severe damage during Operation Cast Lead in 2008-2009 closed the resort altogether.

The piano remained silenced and unused until 2014, when an Israeli airstrike during Operation Protective Edge destroyed the al-Nawras hall. The piano was found in the rubble miraculously unscathed, but was rickety and unplayable.

After the piano was discovered, the Japanese International Cooperation Agency, which sponsors development programs in Gaza, became involved.

The Japanese Foreign Ministry confirmed that a piano had been donated to the Palestinian Authority in 1998. Workers from the cooperation agency took the serial number and contacted Yamaha, its producer. The company confirmed that the instrument had been manufactured between 1997 and 1998.

"Everything matched," said Yuko Mitzui, a representative of the cooperation agency.

The Belgian nonprofit group Music Fund, which supports music instruction in the Palestinian areas, sent a French expert in 2015 to restore the piano. Another Belgium restorer visited Gaza last month and put the final touches on the instrument. A limited, private concert was held as a trial.

On Sunday evening, all 300 seats of the theater hall at the Palestine Red Crescent Society were occupied with fans of all ages, with the rapt audience listening eagerly and clapping in applause at the end of each performance.

Kaoru played as opera singer Fujiko Hirai performed the Japanese folk song "Fantasy on Sakura Sakura."

It was the first time that Gazan resident Yasmin Elian, 22, attended a piano concert.

"I liked how people interacted" with the artists, she said. "This encourages me to learn piano."

Gaza has one music school, the Edward Said Conservatory, with 180 students. It suffers a lack of funding and operates in several rented rooms at the rescue services' main ambulance station.

A group of students from the conservatory partnered with the Japanese artists and played the Palestinian national anthem, drawing huge applause from the audience.

Ismail Daoud, a conductor who heads the school, said bringing pianos to Gaza is hard because of their weight and price, but his school "desperately needs them."

In 2009, Washington-based aid group Anera bought two upright pianos to Gaza and helped coordinate their crossing through Israel's then-strictly closed border.

Now, the Culture Ministry has given the piano to the conservatory, "to the place where it belongs and where it should be," Daoud said. "The revival of the piano is like the revival of the Palestinian people."

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